October 20, 2000
LOS ANGELES Mexico: From Empire to Revolution is a two-part Getty Research Institute exhibition opening October 21, 2000. The exhibition includes over 250 photographs and albums produced between the 1850s and the 1920s depicting Mexican history and culture. With images ranging from ancient Mayan ruins and the remote countryside to scenes of Maximilian's execution and the violent 1910 revolution, the exhibition explores how early photographers captured not only momentous political struggles but also the intimate details of everyday life.
From Empire to Revolution explores Mexico's legacy of empires, intervention, and revolution. It also looks at the importance of photographs as both historical documents and instruments used to shape public perception of the events of the day and encourage tourism and economic investment. Drawn from the Getty Research Institute's collection, with an additional loan from the J. Paul Getty Museum, the exhibition includes carte-de-visites, cabinet cards, commemorative albums, postcards, and documentary and press photographs that show the many uses for these early images. Most were shot by non-Mexican photographers whose viewpoint as foreigners shaped both their own and their viewers' understanding of people, events, and places. Often working with unwieldy equipment under extreme conditions, they left behind an extraordinary visual legacy that provides a portrait of daily life a chronicle of political events, and a record of the transformation of cities and countryside. Together, these works create a panoramic, if selective, vision of Mexico.
Part I includes the work of French photographer Desire Charnay who arrived in Mexico City in 1857 to photograph ruins, but soon found himself in the midst of the French occupation. Charney and fellow Frenchman Francois Aubertcourt photographer for Maxi-milian captured images of the capital and the empire's dramatic rise and fall, including scenes of the Benito Juárez victory and Aubert's photographs of Maximilian's corpse. Part I also highlights architectural photographs taken between the 1860s and 1880s of Zapotec and Mixtec ruins in Oaxaca and Toltec and Mayan ruins in the Yucatán. Works by Charnay and other photographers including Teobert Maler, Augustus le Plongeon, and Lord Alfred Percival Maudslay are represented.
Part II includes photographs by Frenchman Abel Briquet who, along with William Henry Jackson, was commissioned to document the new railways at the start of Porfirio Díaz's long presidency. Briquet and other photographers, including Charles Burlingame Waite, also shot natural portraits of Mexican life and images depicting the characters and growth of cities and the countryside through the turn of the century. Guillermo Kahlo's photographs provide extraordinary documentation of colonial churches throughout Mexico. Part II also focuses on the period between 1910 and 1915 when the tensions and disparities of industrialization helped spark the Mexican Revolution. Photographers including Agustín Víctor Casasola, Manuel Ramos, Antonio Garduño, Hugo Brehme, and W.H. Horne all created images that were often used to shape political perception and public opinion in Mexico and the United States.
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